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OBS! Preorder. 

Beställningar skickas v.11

OBS! Preorder. 

Beställningar skickas v.11

Screenprint on off white tote bag (100% organic cotton.)

43x38cm

65% combed cotton / 35% polyester
Weight: 350 g / m²
Isoli with brushed inside

Classic t-shirt in regular fit with screen print on the chest. 
100% Cotton - Organic Ring Spun Combed, Fabric washed, 180 GSM

- Color: White
- PETA Approved Vegan

The products are produced in organic cotton and they are produced in a socially and environmentally responsible way.

STANDARD 100 by OEKO-TEX is one of the world's best-known labels for textiles tested for harmful substances. It stands for customer confidence and high product safety.

Poster 50x70 cm 

Dina Ögon - Orion

A1 - Jag Vill Ha Allt
A2 - Håll Avstånd
A3 - Det Läcker
A4 - Glitter
B1 - Firad
B2 - Milton
B3 - Orion
B4 - Mellan De Sju Fjällen
B5 - Tomma Lådor

Orion is the third outing from Dina Ögon (“Your Eyes” in Swedish), the band that surprisingly flew in over the Swedish music scene from the sidelines two years ago. 
Dina Ögon have managed to condense the best from their self-titled debut and the sophomore effort Oas, without losing any of the playfulness. The first two albums were steeped in a rampant nostalgia that redeveloped old music into new. Orion however steps forward, even though the band can’t refrain from nodding back to their beloved musical influences of old the soundscape is so modern. 
Dina Ögon seem more focused on the heavens above than on the earth below them, their vision is more out- and upward bound on Orion than in comparison with previous albums. The laidback sound of Håll avstånd and Glitter reminds you of space. The scent of space aside, the band still has its feet on the ground, the drumming on Milton is firmly rooted in Brazilian soul and the sound is at once beautiful, melancholic, and joyful, like a song by Milton Nascimento, the artist it is named after, and Det läcker comes across like a four plus minute long road movie.
Orion seduces with a confidence greater than on all previous efforts from Dina Ögon. It’s a testament to their strength. At one and the same time the album winds up and about through different moods and a coherent expression. The music fits neatly together with songs that explore a darker subject matter than before, without losing a playful lyricism. The title track is like a curious and joyful walk through a forest, and the opening track a bittersweet cavalcade of emotion that sets the bar for everything that follows. When the record progresses to Håll avstånd the listener is bombarded by a relentless groove that’s bound to find its way on to myriads av mixtapes from more adventurous DJ’s.
Just as with the previous albums, any radio-DJ contemplating what songs to play is bound for some tough decisions, because the album is devoid of weak tracks. You could pick what tracks to promote the album with blindfolded. The electric organ on Firad feels lifted from the soundtrack of an obscure cult movie. Orion moves in between city and country, great expanses and great clubs, bars, and chambers, and you can tell – this is an album that will ignite dancefloors as well as ride the airwaves and end nights, even more than its predecessors. 
Dina Ögon have struggled with describing their music. Bass player Love Örsan once suggested “ordinary pop”. Which is way too humble, this is altogether extraordinary pop. Extraordinary because the album seamlessly forms a whole you want to dive and exit your everyday life into. It’s easy to get lost in the world created between Anna Ahnlunds suave vocals and the ridiculously tight general musicianship. Few ordinary pop albums have that quality.
Dina Ögon have developed their alchemy with Orion. The impressive ability to manage wildly disparate musical influences is subsumed under the unfailingly original expression.

180 g vinyl
PGMLLP177

Dina Ögon - Orion (Crystal Clear)

A1 - Jag Vill Ha Allt
A2 - Håll Avstånd
A3 - Det Läcker
A4 - Glitter
B1 - Firad
B2 - Milton
B3 - Orion
B4 - Mellan De Sju Fjällen
B5 - Tomma Lådor

Orion is the third outing from Dina Ögon (“Your Eyes” in Swedish), the band that surprisingly flew in over the Swedish music scene from the sidelines two years ago. 
Dina Ögon have managed to condense the best from their self-titled debut and the sophomore effort Oas, without losing any of the playfulness. The first two albums were steeped in a rampant nostalgia that redeveloped old music into new. Orion however steps forward, even though the band can’t refrain from nodding back to their beloved musical influences of old the soundscape is so modern. 
Dina Ögon seem more focused on the heavens above than on the earth below them, their vision is more out- and upward bound on Orion than in comparison with previous albums. The laidback sound of Håll avstånd and Glitter reminds you of space. The scent of space aside, the band still has its feet on the ground, the drumming on Milton is firmly rooted in Brazilian soul and the sound is at once beautiful, melancholic, and joyful, like a song by Milton Nascimento, the artist it is named after, and Det läcker comes across like a four plus minute long road movie.
Orion seduces with a confidence greater than on all previous efforts from Dina Ögon. It’s a testament to their strength. At one and the same time the album winds up and about through different moods and a coherent expression. The music fits neatly together with songs that explore a darker subject matter than before, without losing a playful lyricism. The title track is like a curious and joyful walk through a forest, and the opening track a bittersweet cavalcade of emotion that sets the bar for everything that follows. When the record progresses to Håll avstånd the listener is bombarded by a relentless groove that’s bound to find its way on to myriads av mixtapes from more adventurous DJ’s.
Just as with the previous albums, any radio-DJ contemplating what songs to play is bound for some tough decisions, because the album is devoid of weak tracks. You could pick what tracks to promote the album with blindfolded. The electric organ on Firad feels lifted from the soundtrack of an obscure cult movie. Orion moves in between city and country, great expanses and great clubs, bars, and chambers, and you can tell – this is an album that will ignite dancefloors as well as ride the airwaves and end nights, even more than its predecessors. 
Dina Ögon have struggled with describing their music. Bass player Love Örsan once suggested “ordinary pop”. Which is way too humble, this is altogether extraordinary pop. Extraordinary because the album seamlessly forms a whole you want to dive and exit your everyday life into. It’s easy to get lost in the world created between Anna Ahnlunds suave vocals and the ridiculously tight general musicianship. Few ordinary pop albums have that quality.
Dina Ögon have developed their alchemy with Orion. The impressive ability to manage wildly disparate musical influences is subsumed under the unfailingly original expression.

180 g vinyl
PGMLLPX177

Dina Ögon & Broder John - Mellan Slagen / Docka (live)

1 - Mellan Slagen
2 - Docka (Live)

Two of Sweden’s most interesting artists collaborate on this brand-new version of “Mellan slagen” from Dina Ögon’s celebrated album “Oas”. The song – which was originally inspired by glaciers and fjords lit up with neon lights and permeated with a smokey club feel – weaves together Broder John’s nasal, soft flow with the slow, almost ghostly groove which brings to mind the 90s Bristol trip hop scene.

Broder John has made quite a name for himself as a force to be reckoned with on the Swedish music scene. 
This Umeå-bred artist has contributed to shaping the music of today and leading the way for a new generation of artists. Following his debut album “Cool” and the sophomore album “DRIFT”, he was picked as the first-ever artist singing in Swedish to perform on the international platform COLORSXSTUDIOS.

Broder John says, “Dina Ögon is the best thing to have happened to Sweden in the last 10 years and ‘Oas’ is an instant classic. I don’t think I’ve ever been as quick to accept an invitation as I was when this one came in.”

Broder John on the new lyrics: “If you’ve listened to my previous lyrics, you can see that I’m often drawn to writing about different contradictions in life. I’m very inspired by Anna’s lyrical writing, and I heard her words in the chorus “finns inga krav” [“there are no requirements”] and I wanted to explore if there was something I could take from that into my world. I’ve had this idea for quite a long time about the scenario in which someone says that “everyone is lying” and what that means for the person saying it – are they lying too in that case? So, in combination with Anna’s world and the incredible production, it felt like a perfect painting to continue painting. I think the last sentence ties it together nicely, “Kan inte lita på nån här, det är sjukt, så tro mig när jag säger att det är sant – alla ljuger” [“Can’t trust anyone here, it’s insane, so believe me when I say that it’s true – everyone is lying”].

Dina Ögon on the collaboration: “Broder John is one of the best ones we have, we like that stuff, please listen!”

Limiterad upplaga 7” vinyl

PGMLS176